Friday, June 5, 2009

Also on my to-post list

- NEA Awesomeness (i.e. ask your congresspeople for more funding)
- Obama and Support for the Arts - putting your money where your mouth is
- War (i.e. that quote I posted and never got around to talking about)
- The New Deal and the Arts (i.e. I finally do my research on the WPA  and what it meant for American Art)

i'm taking suggestions.

Jim Leach and the National Endowment for the Humanities

So, I've been meaning to post on the recent appointment of Jim Leach, former moderate Republican congressman from Iowa, to chair the National Endowment for the Humanities.  Please know that, before starting to write this blog, I knew that there was an NEH and and NEA, but I had no clue how they were different or what the heck the NEH did that was different from the NEA.  (By the way - whoever writes the Wiki entry for the NEA really needs to get their act together and put together something more informative - it's really awful.)

So, to organize my thoughts and hopefully educate the rest of y'all as well, here goes.  The NEA and NEH were both created in 1965 by the National Foundation on the Arts and Humanities Act.  This act covers three branches, essentially: the NEA, the NEH, and the Federal Council on the Arts and Humanities (essentially a federal committee).  There's no real overarching bureaucracy or identity greater than each of its components.  The NEA started off with 2.5 million dollars and 12 employees, its goal to fund creative endeavors in the arts - literature, dance, theater, and the visual arts.  I'm actually going to write another post on how many amazing things the NEA has facilitated over the years - I could easily get sidetracked, it's so cool.  The NEH has a different goal - the facilitation of cultural access.  So the NEH funds museums, educational programs, scholarly work, research.  These are mostly history-related.  The NEH's site betrays a very authoritarian hand in what it deems worthy of funding - "Because democracy demands wisdom, the National Endowment for the Humanities serves and strengthens our Republic by promoting excellence in the humanities and conveying the lessons of history to all Americans."  (Note that - what it deems strengthens the Republic.  yay.)  The NEH gave you, among other things, that cool documentary about Tutankhamun, the endless Civil War documentary you watched in eighth grade history class, and fifteen Pulitzer Prize-winning books.

So, what does Obama's appointment of Jim Leach mean for the NEH?  I really don't want to talk about Obama's snagging of "yet another" moderate Republican.  But I do want to share some cool stuff I learned about just how much Leach practices what he preaches, arts-wise.  Leach is an unstinting advocate for the arts.  

In 2006, Leach received the Congressional Arts Leadership Award conferred annually by the Americans for the Arts advocacy group and the U.S. Conference of Mayors. They cited him as an advocate for increased arts and humanities funding and as a co-sponsor of legislation — still not passed — that would allow artists to take larger tax deductions for works they donate to museums and charities. Current law allows artists to deduct the cost of the materials they use to create a work; Leach proposed allowing them to deduct a donated piece’s fair market value.

Also, when he was appointed, Leach commented:  

Asked whether he would push to increase funding for what by federal standards is a minuscule agency, Leach said he “will be supporting the administration” in its budgeting decisions. But he said “the arts and humanities are fundamental to our society, particularly in difficult times. In the Great Depression ... we spent far more on the arts and humanities, relative to [national economic output] than we do today. Nothing is more important to understanding what’s happening in society, particularly in a fast-changing world.”

This talk is really good to hear - when Leach was still in office, there was no possible political benefit to attempting to pass the law about donated art.  Artists are few, and often don't have the monetary muscle to donate to a campaign.  But he did it anyways.  In my searching, I've heard nothing but good about him.

My only wish is that Obama would fund the two organizations at the same level - right now he's trying to fund the NEH at 10 million higher than the NEA *pout*.

Fetish Gone Wrong

BANGKOK (AP) — The body of American actor David Carradine, best known for the 1970s TV series "Kung Fu," was found in a hotel room closet with a rope tied to his neck and genitals, and his death may have been accidental suffocation, Thai police said Friday.

The 72-year-old actor's body was discovered Thursday in his luxury suite at Bangkok's Swissotel Nai Lert Park Hotel. Police initially said they suspected suicide, though Carradine's associates had questioned that theory.

Police Lt. Gen. Worapong Chewprecha told reporters that Carradine was found with a rope "tied around his penis and another rope around his neck."

"The two ropes were tied together," he said. "It is unclear whether he committed suicide or not or he died of suffocation or heart failure due to an orgasm."

Advice to those contemplating complicated hanging fetish activity - make sure you're doing it safely.  HAHAHA - it's sad he died, but seriously, dying from an orgasm in Bangkok? Priceless.


Thursday, June 4, 2009

Being PC

I'm a liberal, not so much because I doubt the free market, not so much because I believe in universal health care, not so much because of the enviornment, but  because of politicial correctness. As awkward as it may be, it at least demonstrates an attempt to see the world through another lense. This is a daunting task, and failing at it is so much more honorable than not even trying. Maybe you never quite get there, but it holds out a hope for your children, that unreflective, false symetry does not. Conservatives got away with this game for years. The luxury of being the majority in a democracy is the right to act like other people don't exist. But the world is changing around them and Birnam Wood is on the march.

This quote by Ta-Nehesi Coates captures part of why I prefer being a liberal to being a conservative.  I can never deny that at times I exhibit not-so-PC or stereotypical remarks.  I'm certainly not perfect.  But I hope that when I do, people will call me on my remarks and help me to become a better person.

A personal experience: I have been looking for housing recently, and I've discovered that Philadelphia is hugely segregated - both by class and by race - the two are more often connected than not.  So I'm living in a very liminal area of Philly, and a relative was around recently.  She stayed in a hotel on Rittenhouse, and she said that she wasn't happy with where I am now - but that she wanted me near Rittenhouse...it was so much more beautiful, so much more white.

I was made exceedingly uncomfortable by this comment, and I can only hope that she doesn't fully believe the comment - I know she respects and is friends with people of color - this connection facilitated by their similarity in class.  But I hope that I will never be so unaware of how to speak respectfully of people that I will let a comment like that out of my mouth without thought.


Wednesday, June 3, 2009

Back after an absence

So, I haven't been posting much, but with good reason.  Now my bio is factually correct, instead just an expression of hope. :D

I saw this article - it describes the modern life of a boy not much older than myself who was raised in a monastery away from real life.  It's important to remember that as much as the Tibetans deserve to be treated well and self-govern, in every culture there are wrongs done to people.  This boy may discover as he gets older that he leans back towards his original culture; he may permanently desert Buddhism.  However, the fact that his parents deserted him as a young child is awful - he must have felt so abandoned.

Friday, May 29, 2009

MINIATURE COWS!!

So cuuute - look at the pictures and read the article here.

The 4-H minicows are a far cry from the full-sized black bull Kristie Petersen had showed when she was in high school. The animal weighed nearly 2,000 pounds. Kristie, with a slender dancer's frame, barely clears 5-foot-2 when she's standing tall.

She gritted her teeth when the bull dragged her across the barn.

Now, she shows the family's minicows at state fairs with pride. But she does try to give the animals a bit of a pep talk before they enter the barn.

"They cower a little bit when they spot those big bulls," she said, patting the head of Stud, her mini Hereford bull. "But really, who wouldn't?"

Arts and State Arts Funding

So, as you know, Pennsylvania is idiotic and doesn't realize just how important funding the arts actually is.  Well, the problem of arts funding goes deeper than that:  Here's a blog post that talks about the Arts and how politicians use the miniscule funding for the arts as bugbears when they talk about "streamlining" the budget or to prove that they're "fiscally responsible".

PUBLIC-ART FUNDING IS A RED HERRING, PEOPLE. If we'd fined every politician who tried to use public art for his or her own gain in the last 20 years, we could have paid for art/music/dance/etc. teachers in public schools this whole time. Imagine!

The state spends about $2 million a year, out of an approximately $15 billion operating budget, on public art. Public-art spending accounts for .013 percent of the state's budget. Please ask your legislators to focus their time and money on fixing the other 99.987 percent of the budget. 

So, she's a little bit angry.  But it happens.  Doesn't make her point less applicable.

Also, if you head on over to The Playgoer, he has a nice little thread about Texas, and how they nearly outlawed Theater Lighting Designers.  Haha - idiotic Texans.